(Joseph Bernard, 1982, 13 min)
This particular one carries a broad filmmaking vocabulary and was a response to a “still vs motion” picture debate between a photographer friend and myself. It was highly altered with opaque tape over frames, bleach, ink, abrasions and quantities of cement splices. Shot in Detroit and Provincetown, this is dedicated to Bill Gubbins.
Filmmaker in Attendance, Super 8, Silent