Mass for the Dakota Sioux, 1964, 20 min

Bruce Baillie

Documentary, Experimental, Historic Film, Special Presentations

A film Mass, dedicated to nobility and excellence.
The film begins with a short introduction - "No chance for me to live, Mother, you might as well mourn." Sitting Bull, Hunkpapa Sioux Chief. Applause for a lone figure dying on the street.
INTROIT. A long, lightly exposed section composed in the camera. KYRIE. A motorcyclist crossing the San Francisco Bridge accompanied by the sound of Gregorian chant, recorded at the Trappist Monastery in Vina, California. The sounds of the "mass" rise and fall throughout. GLORIA. The sound of a siren and a short sequence of a '33 Cadillac proceeding over the Bay Bridge and disappearing into a tunnel. The final section of the Communion begins with the OFFERTORY in a procession of lights and figures to the second chant. The anonymous figure from the introduction is discovered again, dead on the pavement. The body is consecrated and taken away past an indifferent, isolated people, accompanied by the final chant. The Mass is traditionally a celebration of Life; thus the contradiction between the form of the Mass and the theme of Death. The dedication is to the religious people who were destroyed by the civilization which evolved the Mass. -BB

16mm


Directed by Bruce Baillie


Showing:

Thursday, March 29 7:15pm

Bruce Baillie Retrospective 1

Bruce Baillie will be present in a rare appearance for this screening of several of his 16mm films including Castro Street (1966, 10 min.); Tung (1966, 6 min.); Here I

Michigan Theater (Main Auditorium)