Experimental Events
8:15pm
Opening Night Screening
Animation, Documentary, Experimental, Films in Competition, Short Film
A selection of short films, featuring innovative new works in animation, documentary, experimental and independent cinema.
12:30pm
Peter Rose: Juror Presentation
Experimental, Filmmaker in Attendance, Historic Film, Special Presentations
“Some of us work in a proximate relation with our intended audiences, speaking familiar languages so that the archetypes of our culture may be recognized; and some work out a
7:00pm
Voluptuous Sleep
Experimental, Feature Length, Films in Competition
Feature in Competition Betzy Bromberg’s abstract film is a powerful and transportive meditation on the nuances of light, sound and feeling evoked through the poetic artifices of cinema — an
9:15pm
Films in Competition 2
Documentary, Experimental, Films in Competition, Short Film
New films and video by Mary Helena Clark, Siegfried A. Fruhauf, Marc Pelletier, Scott Stark, Jonathan Schwartz, James Sansing, Chris Kennedy with newly restored films by Phil Solomon and Pat
9:30pm
Out Night with Barbara Hammer
Documentary, Experimental, Films in Competition, Historic Film, Narrative, Short Film, Special Presentations
A celebration of historic and influential LGBTQ films, featuring trailblazing filmmaker Barbara Hammer in person with her films. Tina Takemoto’s video Looking for Jiro (2011), Ira Sachs’ 1994 film Lady,
7:00pm
Poetic Injustice: Short Films from the Arab World
Documentary, Experimental, Historic Film, Narrative, Short Film, Special Presentations
Curator Irina Leimbacher will present films and videos from the past 25 years from Palestine, Israel, Lebanon, and Morocco. What does it mean to speak one’s history and the dreams
7:15pm
Bruce Baillie Retrospective 1
Documentary, Experimental, Historic Film, Short Film, Special Presentations
The Ann Arbor Film Festival is honored to have Bruce Baillie in attendance for the presentation of the first of three retrospective programs, featuring some of the most important films to
9:30pm
Films in Competition 3
Animation, Experimental, Films in Competition, Historic Film, Short Film
New experimental, animated, and abstract works by Charlotte Pryce, Lawrence Jordan and Norbert Shieh, with the North American premieres of "Emblem" by Rei Hayama and "Vexed" by Telcosystems. Program begins
5:00pm
SPACE / TIME: Japanese Avant-Garde Films of the 1970s & 1980s
Experimental, Historic Film, Short Film, Special Presentations
SPACE / TIME presents ten 16mm films from the 1970s and early 1980s, created within a vibrant and prolific Japanese avant-garde film scene which experimented with the material and structure of the
7:15pm
Films in Competition 4
Animation, Experimental, Films in Competition, Historic Film, Narrative, Short Film
New films from Martin Arnold, Janie Geiser, Rob Todd, Laida Lertxundi, Kerry Laitalia, Jodie Mack, Albert Sackl and Tina Frank. Program includes Gus Van Sant’s 1978 short film The Discipline
9:15pm
Films by Phil Solomon
Experimental, Filmmaker in Attendance, Short Film, Special Presentations
Filmmaker Phil Solomon in attendance. A program of works drawn from three decades of the texturally extravagant and profoundly elegiac cinema of Phil Solomon. From his exquisitely bejeweled hand processed
11:30pm
Paul Clipson: Compound Eyes 1-5 and Sketches From the Field
Experimental, Filmmaker in Attendance, Special Presentations
San Francisco-based filmmaker Paul Clipson presents his Super 8mm films. Compound Eyes 1-5 (2011, 27 min) are studies of insect and animal life, viewed within a succession of environments in unexpected
12:30pm
Films in Competition 6
Documentary, Experimental, Films in Competition, Short Film
New experimental and documentary films from Canada, Romania, Germany and Singapore featuring the world premiere of "Berlin Tiger" by Shioh Cinquemani, and the US premieres of "Forest Walk" by Mike
1:00pm
Bruce Baillie Retrospective 2
Documentary, Experimental, Historic Film, Short Film, Special Presentations
The second of three programs celebrating the work of Bruce Baillie features two masterworks Quixote and Valentin de las Sierras, preceded by the rarely seen Yellow Horse and Termination. Bruce Baillie will be
3:30pm
Films in Competition 7
Documentary, Experimental, Films in Competition, Short Film
New non-fiction films from Hayoun Kwon, Richard Wiebe, Robert Fenz, Fern Silva and the world premiere of Sasha Waters Freyer's "An Incomplete History of the Travelogue, 1925". This program also
7:15pm
Films in Competition 8
Animation, Documentary, Experimental, Films in Competition, Short Film
New experimental, animated and documentary films from Peru, Finland, Japan and the U.S. including Suzan Pitt's latest animation "Visitation" and the North American premiere of Minna Parkkinen's film "Circle". Please
9:30pm
Films in Competition 9
Animation, Documentary, Experimental, Films in Competition, Historic Film, Short Film
New abstract, experimental documentary and animated films from the U.S., England, and Germany including recent works by Jennifer Reeves, Fern Silva, Stephen Irwin, Sylvia Schedelbauer, Evan Meaney, Martin Arnold and
11:00am
Films in Competition 10
Documentary, Experimental, Films in Competition, Historic Film, Short Film
New experimental films from David Gatten, Samantha Rebello and JB Mabe. Program includes the North American premiere of "Generator" by Takashi Makino and the rarely seen 16mm film "Porch Glider" (1970,
1:00pm
Films in Competition 11
Documentary, Experimental, Historic Film, Narrative, Short Film
George Kuchar’s 1966 classic Hold Me While I’m Naked with new narrative, documentary and experimental films by Bobby Abate, Dietmar Brehm, Kevin T. Allen, Josh Gibson, and Kevin Jerome Everson.
1:30pm
In Praise of Shadows: Japanese Avant-Garde Films of the 1990s & 2000s
Experimental, Historic Film, Short Film, Special Presentations
In Praise of Shadows consists of nine Japanese experimental works from the 1990s and 2000s, made with various techniques via chosen media. All show the artists’ exploration of moving images,
3:30pm
Quick Billy: Bruce Baillie Retrospective 3
Experimental, Feature Length, Historic Film, Special Presentations
Part Eastern philosophy, part gunslinger Western, Quick Billy (1970, 60 min) plays as a “horse opera in four reels” and meditation on the transformation of life to death. Film critic
Experimental Films
Kudzu Vine
(Josh Gibson, 2011)
Through images of kudzu-covered forms, photographed in black and white and radiating with the luminance of early cinema, this ode to the climbing, trailing, and coiling species Pueraria lobata evokes...
Showing Sunday, April 01 1:00pm
Voluptuous Sleep
(Betzy Bromberg, 2011)
“Forces of desire.” (BB) “Voluptuous Sleep is a mesmerizing two-part 16mm meditation on the nuances of light, sound and feeling as evoked through the poetic artifices of cinema. Bromberg’s close-up...
Showing Wednesday, March 28 7:00pm
Vexed
(Telcosystems, 2012)
As physicists are closing in on the particle described as the fundamental building block in our understanding of the Universe, Telcosystems show a far less conclusive particle theory; one that...
Showing Thursday, March 29 9:30pm
To Quit, To Quiet
(JB Mabe, 2011)
A christmastime film in my grandparent's living room. "But to the end of time certain places of the world remain defined for him as the place where those sensations were;...
Showing Sunday, April 01 11:00am
Walt Disney’s “Taxi Driver”
(Bryan Boyce, 2011)
Walt Disney's re-imagineering of Martin Scorsese's classic film "Taxi Driver" follows Mickey Mouse-obsessed Travis Bickle as he looks for love in a rapidly transforming New York City....
Showing Friday, March 30 9:30pm
Saskatchewan
(Richard Wiebe, 2011)
16mm footage and Edison Voicewriter recordings introduce to me a family I never knew. I see my dad, age 7, in 1943 stand in front of a movie camera. I...
Showing Saturday, March 31 3:30pm
Snakes and Ladders
(Katherin McInnis, 2011)
A flicker film of possible narratives, including an excavation of the Lindbergh baby kidnapping and associated tabloid frenzy, and the cyclical nature of financial crisis. Soundtrack by Akiko Suzuki....
Showing Tuesday, March 27 8:15pm
RocketKitKongoKit
(Craig Baldwin, 1986)
This kaleidoscopic, amphetamine-paced tour de force uses a barrage of found-footage images and rapid-fire narration to trace a history of Zaire since its independence in 1960. The CIA, German munitions...
Showing Wednesday, March 28 7:15pm
Runs Good
(Pat O’Neill, 1970)
A darkish journey down memory lane, to visit some news events, folkways and thought patterns associated with the late forties and early fifties. The film is also concerned with such...
Showing Wednesday, March 28 9:15pm
What’s Out Tonight Is Lost
(Phil Solomon, 1983)
“Adopting its title from a poem by Edna St. Vincent Millay, What’s Out Tonight Is Lost is an elegiac film sifting through the unrecoverable. The film is a reflecting pool...
Showing Wednesday, March 28 9:15pm
River Rites
(Ben Russell, 2011)
“Animists are people who recognize that the world is full of persons, some of whom are human, and that life is always lived in relationship with others.”—Graham Harvey, Animism A...
Showing Tuesday, March 27 8:15pm
Heavy Eyes (Schwere Augen)
(Siegfried A. Fruhauf, 2011)
In this hand-processed inscription of cinema negation, unnamed players in found-footage fragments shimmer hypnotically in faint exchanges as a sound engine bears down heavily from above. Darkened figures outline themselves...
Showing Wednesday, March 28 9:15pm
If the War Continues
(Jonathan Schwartz, 2012)
For ascending: “and before I could be noticed again and taken to task, I spoke to the tiny blessed star within me, shut off my heartbeat, made my body disappear...
Showing Wednesday, March 28 9:15pm
A Lax Riddle Unit
(Laida Lertxundi, 2011)
In a Los Angeles interior, moving walls for loss. Practicing a song to a loved one. A film of the feminine structuring body. –Laida Lertxundi...
Showing Friday, March 30 7:15pm
Undergrowth
(Robert Todd, 2011)
A blind predator dreams through its prey’s eyes. – RT...
Showing Friday, March 30 7:15pm
UFOs
(Lillian SchwartzKen Knowlton, 1971)
Recently restored 16mm film print of this pioneering work of computer-generated animation. UFOs was created at Bell Laboratories where Schwartz was a consultant and artist-in residence. Music by Emmanuel Ghent. UFOs will be...
Showing Saturday, March 31 11:00am
The Scratchman
(Heather McAdams, 1980)
Filmmaker and cartoonist Heather McAdams humorously transforms footage of a droning bureaucrat through simple etchings onto the film emulsion. This film is not in competition. Screening of this film is supported by...
Showing Saturday, March 31 11:00am
Forest Walk
(Mike Hoolboom, 2011)
This brief black and white sojourn finds a father and son wandering, midway upon the journey of their lives, as the saying goes. Vincent Grenier adds slow motion heat to...
Showing Saturday, March 31 12:30pm
THX 1138
(George Lucas, 1971)
George Lucas adapted this, his first film, from a short he made at University. THX 1138, LUH 3417, and SEN 5241 attempt to escape from a futuristic society located beneath...
Within
(Robert Todd, 2012)
Into the darkness, into the light, a labyrinth of veils… – RT...
Showing Saturday, March 31 9:30pm
FLIGHT
(Greta Snider, 1997)
My father’s photographic legacy, compiled and transformed into light. His family photographs, his hobbyist pictures of trains and roses, his airplanes and his obsession with birds circling...these images are imprinted...
Showing Thursday, March 29 9:15pm
Yellow Horse
(Bruce Baillie, 1965)
"Cycle scrambles poem. Bass solo by Pat Smith, LA". - BB...
Showing Saturday, March 31 1:00pm
Valentin de las Sierras
(Bruce Baillie, 1967)
"This ten minute portrait of lives lived in rare air and under sunlight of liquid gold is, simply put, one of the most beautiful films ever made." –Chuck Stephens "In...
Showing Saturday, March 31 1:00pm
Quixote
(Bruce Baillie, 1965)
"One-year journey through the land of incessant progress, researching those sources which have given rise twenty years later to the essential question of survival." -BB The bearded figure at the...
Showing Saturday, March 31 1:00pm
Tin-Pressed
(Dani Leventhal, 2011)
Opening with jarring violence, Dani Leventhal’s Tin Pressed, proceeds to negotiate a balancing act between the bewildering tonal variances of daily life—with all of its unnamable and enchantingly fragmented specifics—and...
Showing Saturday, March 31 12:30pm
Gestalt
(Takashi ISHIDA, 1999)
Amber sunlight shines through a window into the corner of the room. The shadows projected on the wall and the shadows created by animated drawing are erased and eroded. As...
Showing Sunday, April 01 1:30pm
Flower
(Yuiko MATSUYAMA, 2004)
Transforming pools of india ink and salt into a microscopic field overflowing with brilliant shards of light and color. – Y.M....
Showing Sunday, April 01 1:30pm
Still
(Shiho KANO, 1999)
Action of the character in the film is expressed by monochromatic still pictures, in fine, time is in cut state. Though color scenes inserted in the film have flowing time,...
Showing Sunday, April 01 1:30pm
Plate #24 (solid of revolution)
(Ryusuke ITO, 2004)
In order to investigate the necessity of film as a medium for moving images, I have focused on its materiality. First, I created a collage with found footages of various...
Showing Sunday, April 01 1:30pm
EVE
(Takashi Makino, 2004)
I created this film to express a feeling of the beginning of something and an image of the newborn vitality. – T.M....
Showing Sunday, April 01 1:30pm
Garden/ing
(Eriko SONODA, 2007)
A photograph of the scene outside a window, enlarged the same size as the window, was repeatedly pasted to and removed from the window while shooting single frames of the...
Showing Sunday, April 01 1:30pm
A Burning Star (short version)
(Kenji ONISHI, 1995)
In A Burning Star, my inner conflicts find a cruel form. Through the camera I come to terms with my father's death. It's only natural that a person should tremble,...
Showing Sunday, April 01 1:30pm
Ambiguous Funeral
(Ichiro SUEOKA, 2004)
This is part of an on-going project, "re-interpretation for the private films," in which I recreate old home movies. Today, we reflect on the way to understand the past events...
Showing Sunday, April 01 1:30pm
Like Flowing, Like Spinning
(Akira MIZUYOSHI, 2009)
I drag a 16mm negative film in a darkroom, improvisationally adhere it with the developed 16mm positive film and expose them by light of Maglite. I intentionally let a film...
Showing Sunday, April 01 1:30pm
XXX!
(Dietmar Brehm, 2011)
A dark rose montage of image-things, their sequence and arrangement veiled by an untold story in the ghostly cast of white shadow and black candle flame. Wig-sporting skulls, wedding cake...
Showing Sunday, April 01 1:00pm
KIRI
(Sakumi HAGIWARA, 1972)
A single uncut shot from a stationary camera photographs a fog shrouded landscape, at first totally white but then gradually revealed....
Showing Friday, March 30 5:00pm
Spacy
(Takashi ITO, 1981)
Spacy consists of 700 continous still photographs which are re-photographed frame by frame according to a strict rule where movements go from rectilinear motion to circular and parabola motion, then...
Showing Friday, March 30 5:00pm
Atman
(Toshio MATSUMOTO, 1975)
A visual tour-de-force and a landmark film of the Japanese avant-garde, Matusmoto creates a pulsing, circular motion through 480 stills of a demonic Noh mask taken from different angles. Music...
Showing Friday, March 30 5:00pm
My Movie Melodies
(Jun’ichi OKUYAMA, 1980)
In this film, the image produces the sound, the "sound image." Various images are used to cover a wide range of sounds. The main melody is radiographic image of a...
Showing Friday, March 30 5:00pm
At Yukigaya 2
(Mako IDEMITSU, 1974)
An abstract film shows the images of tree shadows or the sky in natural light with sharp contrasts. In this personal film, Idemitsu lived between Japan and USA, contains the...
Showing Friday, March 30 5:00pm
Un Relatif Horaire
(Yo OTA, 1981)
This is my first film since I moved to Paris to become a cinema student at University Paris 8. I felt that it was mysterious the way the moon was chasing...
Showing Friday, March 30 5:00pm
Shadow Cuts
(Martin Arnold, 2010)
The first in a four-film series, Martin Arnold directs his deconstructive impulses to the heritage of Walt Disney. The result is a neurotic re-animation that comes to life in the...
Showing Tuesday, March 27 8:15pm
Soft Palate
(Martin Arnold, 2011)
The second film in Martin Arnold's series of Disney deconstructions; Soft Palate rhythmically builds Mickey’s sleeping body out of the darkness of his bedroom one body part at a time,...
Showing Friday, March 30 7:15pm
Self Control
(Martin Arnold, 2011)
The third film in Martin Arnold's recent series. "Arnold uses subtle loops and rhythmical effects to unearth what Hollywood productions and Disney features repress, releasing suppressed gestures and suggesting associations...
Showing Friday, March 30 9:30pm
Haunted House
(Martin Arnold, 2011)
The frames of a 40’s cartoon film are dispersed into their original graphic elements by means of digital de- and reanimation, the character in the foreground as well as the...
Showing Saturday, March 31 9:30pm
Forms Are Not Self-Subsistent Substances
(Samantha Rebello, 2010)
Flesh, blood, milk and meat are the subject of a film which tries to get inside “substance” via medieval imagery. An attempt to explore “what things are” through juxtaposing bestiary...
Showing Sunday, April 01 11:00am
Joshua City
(Kevin T. Allen, 2011)
A cross-cultural camera roll of two desolate landscapes. One half shot in the Mojave Desert of Joshua Tree in California, the other half in the industrial ghost town of Industry...
Showing Sunday, April 01 1:00pm
Passage Upon the Plume
(Fern Silva, 2011)
Plumes dust the arid land, east to west, shapeshifting as they lift in ascension. Something lowers. An ark ran aground where revolution took root: ropes raise stones in baskets. Hearts...
Showing Saturday, March 31 9:30pm
Peril of the Antilles
(Fern Silva, 2011)
Peril of the Antilles was filmed at the beginning of November 2010 while visiting a friend in Haiti. At this specific time, the cholera epidemic was on its way to...
Showing Saturday, March 31 3:30pm
Generator
(Takashi Makino, 2011)
North American premiere of Makino's most recent work with a score by Jim O'Rourke. The film recently was given the Tiger Award for Short Film, IFF Rotterdam. The images reach...
Showing Sunday, April 01 11:00am
Porch Glider
(James Herbert, 1970)
Porch Glider is James Herbert's rarely seen masterpiece, one of over a dozen films by Herbert screened at AAFF from the late 1960s to the mid 1970s. The film is...
Showing Sunday, April 01 11:00am
New Improved Institutional Quality
(Owen Land (formerly known as George Landow), 1976)
New Improved Institutional Quality: In the Environment of Liquids and Nasals a Parasitic Vowel Sometimes Develops bears Landow’s odd, convoluted humor and singular wit. Landow made 30 films between 1961 and 2009; several...
Showing Saturday, March 31 9:30pm
20 Hz
(Semiconductor, 2011)
20 Hz observes a geo-magnetic storm occurring in the Earth's upper atmosphere. Working with data collected from the CARISMA radio array and interpreted as audio, we hear tweeting and rumbles...
Showing Saturday, March 31 7:15pm
Circle
(Minna Parkkinen, 2010)
"Circle" illustrates the devastating sorrow caused by the death of a loved one, the interim survival, and slow recovery. The film, which is the final part of a trilogy, depicts...
Showing Saturday, March 31 7:15pm
Under the Shadow of Marcus Mountain
(Robert Schaller, 2011)
Made with a rudimentary pinhole technique, traces of a mountain landscape are captured in black and white. 'The structures of our thought filter what we see, and in fact there...
Showing Saturday, March 31 7:15pm
Flower, the Boy, the Librarian
(Stephanie Barber, 1996)
"...A submerged haiku-esque narrative..."; Stephanie Barber's 1996 filmflower, the boy, the librarian is composed of three bits of footage in succession: a blossom wriggling in re-edited motion; the head of...
Showing Saturday, March 31 7:15pm
A Preface to Red
(Jonathan Schwartz, 2011)
A single recording, recorded in a tunnel that one passes through after exiting a boat taking you from one continent to another, where people are selling bright colored toys and...
Showing Saturday, March 31 7:15pm
Mass for the Dakota Sioux
(Bruce Baillie, 1964)
A film Mass, dedicated to nobility and excellence. The film begins with a short introduction - "No chance for me to live, Mother, you might as well mourn." Sitting Bull,...
Showing Thursday, March 29 7:15pm
To Parsifal
(Bruce Baillie, 1963)
Baillie's tribute to Wagner and the myth of the Holy Grail and the Parsifalian hero. Various scenes, first in the Pacific, mainly in the fog (including passing under the San...
Showing Thursday, March 29 7:15pm
Castro Street
(Bruce Baillie, 10 min)
An extraordinary technical achievement and a poetic masterpiece, Castro Street is a layered portrait of the Standard Oil Refinery in Richmond, California which Baillie describes as "coming of consciousness". "I wanted...
Showing Thursday, March 29 7:15pm
All My Life
(Bruce Baillie, 1966)
"Caspar, California; old fence with red roses." -BB...
Showing Thursday, March 29 7:15pm
Tung
(Bruce Baillie, 1966)
One of Baillie's sensuous tone poems, Tung is a portrait of a friend; sandy skin and flaxen hair in the early-morning light. -Scott MacDonald...
Showing Thursday, March 29 7:15pm
Incantation
(Peter Rose, 1970)
Using rapidly edited, superimposed images of plants, trees, water, the sun and the moon, Incantation weaves a dynamic tapestry of organic forms and textures, combining its images with a fierce...
Showing Wednesday, March 28 12:30pm
The Man Who Could Not See Far Enough
(Peter Rose, 1981)
THE MAN WHO COULD NOT SEE FAR ENOUGH uses literary, structural, autobiographical, and performance metaphors to construct a series of tableaux that evoke the act of vision, the limits of...
Showing Wednesday, March 28 12:30pm
Secondary Currents
(Peter Rose, 1982)
Secondary Currents is a film about the relationships between the mind and language. Delivered by an improbable narrator who speaks an extended assortment of nonsense, it is an "imageless" film...
Showing Wednesday, March 28 12:30pm
Frank’s Cock
(Mike Hoolboom, 1993)
"In Frank's Cock, a man talks about his friend Frank in a bold, funny, moving monologue about being born, living, fucking and dying as a gay man. Frank was queer...
Showing Wednesday, March 28 9:30pm
Jerovi
(Jose Rodriguez-Soltero, 1965)
Screened at the 3rd AAFF in 1965. A sexual probe of the Narcissus myth, Jerovi departs from earlier experimental work by Cocteau, Curtis Harrington, Willard Maas and others, which drew...
Showing Wednesday, March 28 9:30pm
Nocturne
(Phil Solomon, 1980)
Finding similarities in the pulses and shapes between my own experiments in night photography, lightning storms, and night bombing in World War II, I constructed the war at home.-PS "A screaming...
Showing Friday, March 30 9:15pm
The Snowman
(Phil Solomon, 1995)
A meditation on memory, burial and decay - a belated kaddish for my father.-PS The Snow Man One must have a mind of winter To regard the frost and the...
Showing Friday, March 30 9:15pm
Psalm II: “Walking Distance”
(Phil Solomon, 1999)
Inspired by Kiefer and Ryder, dedicated to Stan Brakhage. Imagining one of those rusted medieval film cans having survived centuries, a long lost Biograph/Star, a Griffith/Méliès co-production, a two-reeler left...
Showing Friday, March 30 9:15pm
Crossroad
(Phil SolomonMark LaPore, 2005)
Mark and I made this film for our friend David Gatten, as a prayer, an offering, a “get well soon” card... for all three of us. It was made on...
Showing Friday, March 30 9:15pm
Rehearsals for Retirement
(Phil Solomon, 2007)
In the first work of the acclaimed trilogy In Memoriam: Mark LaPore, Solomon transforms atmospheric landscapes generated in Grand Theft Auto game-play, into brooding depopulated scenes haunted by figures occasionally glimpsed through shimmering light...
Showing Friday, March 30 9:15pm
Last Days in a Lonely Place
(Phil Solomon, 2008)
The second work in the trilogy In Memoriam: Mark LaPore, constructed through the appropriated world of Grand Theft Auto video game. Farewell my friends Farewell my dear ones If I...
Showing Friday, March 30 9:15pm
Compound Eyes 1 - 5
(Paul Clipson, 2011)
COMPOUND EYES Nos.1-5 is a series of short Super 8mm film studies studying aspects of insect and animal life, viewed within a succession of environments in unexpected ways. Filmed in the...
Showing Friday, March 30 11:30pm
Another Void
(Paul Clipson, 2012)
This vertiginous study of movement, color and darkness, continues an exploration of the process of filmmaking and its close relation to music. Another Void is an almost entirely in-camera edited...
Showing Friday, March 30 11:30pm
Sketches from the Field
(Paul Clipson, 2012)
A moving collage; this amorphous journey through landscapes, indeterminate spaces and fields of darkness, color and light, presents within the environment of a live performance by Chicago musician Scott Tuma,...
Showing Friday, March 30 11:30pm
Kid Beat Box: Twenty-two Tapes, Edit Nine
(Stephen Wetzel, 2012)
Kid Beat Box: Twenty-two Tapes, Edit Nine consists of thirty-five 10-second bits of video lifted from twenty-two standard digital video tapes. "I don't know Kid Beat Box, or I know...
Showing Saturday, March 31 5:00pm
This Our Still Life
(Andrew Kötting, 2011)
“The film moves through the four seasons, but mostly it’s a flickering and wilful impression of family life, characterised by found footage edited together with Kötting’s thoughts and a score...
Showing Saturday, March 31 5:00pm
All Divided Selves
(Luke Fowler, 2011)
All Divided Selves, a new feature length film by the artist Luke Fowler. Following his celebrated works What You See Is Where You’re At (2001) and Bogman Palmjaguar (2007), this is the third...
Showing Friday, March 30 7:00pm
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